Fishing for Memories

-
Seth exercise: following non-recognized neurological sequences

(1) The analogy of the onion layers.

You are used to a time structure, so that you remember something that happened at a particular time in the past. Usually you can record events in that fashion (chronologically).

The body record events biologically in neurological pockets as it perceives activity. Those neurological pulses are geared to the biological world you know.

(2) Past, present, future all exist in the now.

Other-life memories do float to the surface, but their rhythm is not synchronized, and they are not tied into the nervous system as precisely as your  
regular memories. Your present gains its feeling of depth because of your past as you understand it. 

Other life memories are carried along beneath those other pulses, never coming to rest so that they can be examined, instead, forming the undercurrents (unconscious) upon which the memories of your current life ride.

The future represents another kind of depth that belongs to events. The roots of events go through your past, present, and future.

You form your past lives now in this life the same way as you form your future lives.

===

Exercise: 

Pick a memory. 

Do not structure it (not peg it to a biological or chronological or neurological order). 

Observe how it shifts and transforms.

See how it associates with other memories.

Gradually, other life memories will also rise up, perhaps superimposed upon present life memories.

Comments

Post a Comment

Popular posts from this blog

Introversion and Extroversion

-
There are many articles, books, blogs, videos, etc. about Jungian personality traits of introversion and extroversion.  Here's my summary: Introversion is a inward movement of energy (contractive). Extroversion is an outward movement of energy (projective). There are different reasons for the direction of flow.  However, I can only use myself as an example, as I could not find examples of Jungian personality traits being discussed as energy flows.  As much as I can understand myself (not enough), below are some possible reasons of the inward flow of personal energy: 1) Low energy level:  When I am tired, either lack of sleep, or body requires extra energy to rebuild, realign, recover, etc., then I pull in my energy. 2) Creative work:  When I write, I draw in a lot of energy, because otherwise I am a scatterbrain whose ideas don't flow logically or structurally.  Other individual activities such as reading also draw in a lot of energy, but it differs in the sense that
Read more

The Reasons I Write

-
The three main reasons that propelled me to write: 1) The Swiss film director Godard once said, "Art is not a reflection of reality.  It is the reality of a reflection." After I started writing, I understood this point.  It is the main reason why I am still writing today. We think we are alive, but we are often dead inside.  A writer's task is to instill life in her writings.  If she has no life in her, she will have no life to instill in her works, and her audience will be able to sense it, how ever subtle that life may be. My cousin's photography instructor said, to take a good portrait photo, the photographer must be genuinely interested in the subject.  In the same way, to write a good book, the writer must be genuinely interested and passionate about the subject.  After I started writing, I have taken up an interest in arachnids, the Qing dynasty, and other subjects which I would normally disregard, and have engaged in various conversations as part of my
Read more

Free-Style

-
I have a better appreciation of the foreign film Ajami, after learning that the entire cast were non-professional actors who never acted before, and that there was no script written for this film. The acting coach was able to bring out the raw emotions in each of the actors, and to let them say it how ever they want to get the message across. Many of the scenes were shot in one take. The film pocketed many awards. It reminds me of a Wong Kar Wai's movie in which Faye Wong was awarded the best actress. Faye said she wasn't acting; she was simply being herself. Wong's method was to let the actors be themselves, sometimes without scripts and without deadlines, and actors were not to know what the story of the movie was. The winning ingredients of his films are improvisation and experimentation. This reminds me of my stay in Cyprus. Rented a car without a GPS, without a plan, without a guide, without a phone, etc. I drove on the other side of the road. Against a
Read more